视频简介
剧中表现的是中南艺术剧院在商品经济至上,话剧市场低迷,剧院面临消亡危机的背景下,一群视艺术为生命的艺术家在困境中的挣扎和对崇高艺术的执着坚守。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。故事发生在十九世纪的法国巴黎,冉阿让(菅原正志 配音)仅仅因为偷窃了一条面包而获得了长达十九年的牢狱之灾。十九年后,冉阿让的刑期终于到头了,然而出狱后却落入了走投无路的境地。善良的主教收留了无家可归的冉阿让,冉阿让却无法抵挡利益的诱惑偷走了主教家的银器。之后主教的所作所为彻底感化了冉阿让,他改名换姓成为了马德兰,走上了崭新的人生之路。 一晃眼多年过去,冉阿让遇见了可怜的将死的妓女芳汀(萩原惠美子 配音),临死前,芳汀将自己年幼的女儿珂赛特(名冢佳织 配音)托付给了冉阿让。之后,一直对冉阿让心存偏见的警长沙威(松山鹰志 配音)再度出现在了冉阿让的面前,发誓一定要让冉阿让再度回到铁窗之后。。
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