欧阳震华

视频简介

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。英雄往往都出于平凡。黄雀是一只小小的孤鸟，从来没有离开过家，也没有家人，但它却渴望有一个家。直到那一天，阴差阳错，被前辈戴上“领路使者”的光环；误打误撞的成为领鸟。从未去过非洲的它，却要硬着头皮带领候鸟家族，向非洲迁徙。路途漫漫，飞越城镇、大海、荒野、沙漠…凭借不靠谱“第六感”，飞行路线最后南辕北辙，整个家族陷入冰天雪地，生死存亡危在旦夕；这场毛头小鸟率领的处女之旅，将如何收场？信任、荣耀、梦想、勇气、责任、友情能否经得起考验？。